Tag Archives: intarsia

And This Is How I Did It

Wednesday, I talked about a sweater I made for my grandfather, based off one that his mother made for him decades ago.

I thought it might be interesting to talk about how I combined a couple patterns, added my own details to create this customized sweater, and went from an idea to a finished product.

I started with the description my Grandfather gave me, “A brown and blue sweater with deer on it.”  From there I guessed that he meant an old-school ski sweater with some sort of color work pattern on the front and back.

235792[1]I looked at patterns for ski sweaters, and none of them were quite right.  They were either too fancy (too many colors or too fussy-looking), or more formal than I knew my grandfather would like to wear (he is a hunting, fishing, outdoors-y type).

Instead, I decided to start with a very simple pattern that I had used before, and modify it to my liking.  I picked the Weasley Sweater by Alison Hansel.  It’s a simple and easy drop-shoulder sweater that comes in a million sizes from infant to grown-up.  I’ve knit a couple sweaters from the pattern before, and they have all turned out really well.  (And the pattern is available for free!)1116161018_78043aab2b_z[1]

The only thing that I don’t care for with the Weasley Sweater is the rolled hem and collar.  Instead, I knit a k2p2 rib for the bottom, and a k2p2 crew collar.

OLYMPUS DIGITAL CAMERAAnd, instead of working the whole shebang in plain brown, I added a stripe of blue just above the cuffs and hem.  Adding a little bit of color work at cuffs and hem is a very “ski sweater” thing to do, and a stripe is the simplest color work you can do.

OLYMPUS DIGITAL CAMERAMy next problem was the deer motif that I had to put on the chest.  I looked at a lot of patterns, and finally decided to use the deer motif from the His & Hers Reindeer Jackets from Patons.  I originally planned to work the deer using the intarsia technique, but then I decided that I wasn’t insane.  (Intarsia and I don’t get along very well.)

Deer_Sweater_-_front_medium[1]Instead, I knit up the whole sweater in plain brown (except for the blue stripes at cuffs, hem, and the edges of the chest panel), and used the duplicate stitch to add the deer after once the knitting was done.  It took approximately 100 years to finish the deer (not really), but I think it was worth it.  Because the whole chest panel is knit plain, the sweater is stronger than it would have been if I had worked the deer in intarsia (and I think it looks better, too).

OLYMPUS DIGITAL CAMERASo, with a couple different patterns, some planning, a little futzing, and inspiration from the ghost of my great-grandmother, I think I managed to make exactly the sweater that my grandpa was looking for.

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Pattern: The Sculptor’s Scarf

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I designed this scarf as a Christmas gift for my boss, who is a ceramics artist.  It’s inspired by some of his most recent works which are big chunky sculptures inspired by themes of of antiquity and archeology.  He creates great big thick slabs of clay, textured to look like weathered stone, and stands them up with brightly-colored legs.  (I’m describing it poorly, they’re actually really cool.)

This scarf is my interpretation of his sculptures, but in wool.  It’s a big, chunky scarf that’s manly enough for guys to actually wear, but is technically challenging enough to keep a knitter’s attention.  The scarf is knit shortways, on great big needles with bulky yarn, so you only have 16 stitches per row, which will get you screaming along in no time!  The background is textured in seed stitch, which will keep the scarf lying flat.  Intarsia is used to work the bright red 2×2 cable running up the middle of the scarf.   Finishing is minimal, and the final project is sure to please.

Sculptors Scarf